Insect Warfare is one of the craziest grindcore bands I've ever heard! Hailing from Houston, Texas, this trio plays faster, harder and much more unrelenting than most acts out today. They formed back in 2004 and toured the globe like madmen until their demise in 2008.
Their sound is full of constant blasts of insanity with incredibly tight transitions between the chaos and brief slower parts. The drummer is a complete maniac on his kit with some of the fastest skills I've ever heard. The guitar has a perfect crunchy, deep distortion to it which makes the band sound loud and full. Vocals are especially harsh complete with low-gurgling growls and high-pitched screeches. This band completely owns! No doubt one of the best bands to exist in extreme music.
Below is everything the band released.I think. Snag everything!
Pig Destroyer, Terrifyer (Relapse, 2004) J.R. Hayes – Vocals Scott Hull – Guitars Brian Harvey – Drums Produced by Scott Hull Of the three Pig Destroyer albums our panelists voted for, Terrifyer scored the lowest.
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But it’s still my favorite PD offering, so fuck it, I’m gonna go ahead and write about it. HOW THE FUCKING FUCK DID PIG DESTROYER NOT WIND ON THIS LIST? Their place in the grind pantheon is, like almost anything, open for debate, but at least as far as I’m concerned, they perfected grind, they epitomize grind, THEY ARE GRINDCORE. Pig Destroyer make ugly music. Fuck hooks, fuck choruses, fuck you and fuck your pussy-ass eardrums. The fact that three dudes manage to make a racket that is more brutal than what four, five, six or in some cases nine members of other bands can ever achieve always surprises me. But it really shouldn’t.
Scott Hull plays whirlwind riffs so fast it sounds like his arm might fall off, so raw they swirl in your head as though someone dropped an angry hornet’s nest in your brain. Brian Harvey either had cherry bombs going off in his drum kit when he recorded this shit, or else someone was holding a gun to his head yelling “PLAY FASTER, MOTHERFUCKER!” the entire time he was recording.
The Hull-Harvey duo alone seem destined to make Reign in Blood look a record so slow it’s not even allowed on the short bus. And then there’s J.R. His screams are vicious, atonal, just barely human.
But his lyrics oh, his lyrics. They should be taught in literature classes across the world. Take this poetry – pure poetry – form “Scarlet Hourglass”: she rolls out of bed with the blankets wrapped around her dragging like the virgin’s wedding gown there’s a scarlet hourglass at the base of her spine four arms offer caresses four arms brandish knives her tongue twirls in her mouth spinning webs of lies That is somehow scary and beautiful and violent and heartbreaking all at once.
Every song here makes me want to kill something. The spastic “Pretty in Casts,” the groovy opening riff of “Gravedancer,” the nearly 38 non-grinding minutes of “Natasha,” a “Where the fuck did that come from?” song if ever there was one. This record is more punk rock than any punk rock record I’ve heard this decade, and possibly last decade.
At the risk of sounding extremely pretentious: Terrifyer has the textures of a novel. I know grind just sounds like noise to some people, but you really need to listen to this album, and listen closely. It’s too dense, too complex for just letting it play in background while you do chores or play videogames or whatever. Terrifyer demands that you engage it with it.
It cannot be ignored. I could rave about this record for hours on end, but for now, I just wanna concentrate on “Towering Flesh,” which might still very well be my favorite PD song (When I saw them play it live at Scion earlier this year, I pretty much creamed my pants.). It goes from typically Hayesian psychopathic anger to a just barely-meditative interlude that explodes into the most epic fucking section that makes me wanna weep every time I hear it (It also features a sweet guitar solo, courtesy Matthew Mills). There are really no words to describe how this song makes me feel, so I’ll just leave you with some more of Mr. Hayes’ goddamn genius lyrics: all her shrugged little movements and their despotic majesty in the midst of such perfection I can’t help but feel diseased I don’t know exactly what those words mean to Hayes, and honestly, I don’t care. They feel like a perfect expression of so many things I’ve gone through. All that matters is what they mean to me.
Enemy Soil Origin Genres, Years active 1991–1999 2001, 2017–present (reunions) Labels Selfmadegod, Bones Brigade, Clean Plate, Profane Existence Far East, Insolito, Associated acts, Drugs of Faith, Exploding Meth Lab, Blower, Initial State, Random Green, Virginia Creep, Vastum, Reeking Cross Website Members Richard Johnson J.R. Hayes Adam Perry Russ Mason Past members Cory Stevenson Jeff Kane Brian Harvey Omid Yamini T.L.
Smoot Doshu Tokeshi Shane Privette Criag Lenc Tim Caicedo Enemy Soil was a band from, first formed in 1991. The band played a style of grindcore that was influenced heavily by, and featured many line-up changes throughout its run, with frontman Richard Johnson acting as its core.
Because the group initially was unable to find a suitable drummer, earlier Enemy Soil recordings featured a. The group's music was also politically-motivated early in their career, however later recordings instead featured introspective topics for lyrics. The group eventually broke up in the spring of 1999 after releasing numerous splits and records. Members went on to form or join many bands, including, and, among others. Label Bones Brigade Records issued the two-disc compilation Smashes the State! In 2001, containing most of the band's discography, excluding the Casualties of Progress extended play. The group reformed in 2001 for a special one-off reunion show at in.
Footage from this show, as well as shows dating between 1996 to 1998, was released on the 2009 Selfmadegod live DVD Smashes the State Live. In June 2017, the band announced via the official Enemy Soil website that the group has reformed for a few reunion shows, including an appearance at Maryland Deathfest 2018.
Contents. Members Current. Richard Johnson – (1991–1999, 2001, 2017-present), (1998–1999).
Adam Perry – (1997–1999, 2017-present). J.R. Hayes – vocals (1996–1997, 2017-present). Russ Mason – bass, vocals (1991–1992, 1993–1996, 1997–1998, 2017-present) Previous. Cory Stevenson - bass (1998).
T.L. Smoot – vocals (1998). Jeff Kane – bass (1997–1998), guitar (2001). Omid Yamini – bass (1997, 2001). Brian Harvey – bass (1995–1996), drums (1996–1997, 2001). Doshu Tokeshi – vocals (1993–1996).
Shane Privette – vocals (1993, 1995). Tim Caicedo – vocals (1993). Mark Lee – vocals (1993). Criag Lenc – bass (1993) Timeline. Childers, Andrew (June 7, 2008).
Grind and Punishment. Retrieved 2017-06-18. January 1998. Retrieved 2017-06-18. Retrieved 2017-06-18. Shane, Mehling.
Decibel Magazine. Archived from the original on 2010-02-06. Retrieved 2017-06-18. CS1 maint: BOT: original-url status unknown. ^ Alisoglu, Scott. Retrieved 2017-06-18.
Pratt, Greg (April 24, 2009). Retrieved 2017-06-18. Alfano, Chris (2001).
Pig Destroyer Albums
Retrieved 2017-06-18. Supreme Brutality.
Retrieved 2017-06-18. DiVita, Joe (2017-06-26). Retrieved 2017-10-04. Pratt, Greg (June 16, 2008). Retrieved 2017-06-18. External links.
Pig Destroyer Wiki
Three-and-a-half months after the fact isn't too long to wait for a list you don't care about, right? This list is pretty amorphous. #1 is definitely (probably) better than #55, but it's all sorta subjective. Descriptions are minimal by design because writing too much about music - or any art, really - detracts from said art, I think (and because I'm lazy). I'm not really sure how I feel about my reviews, but meh. They are what they are. These are some of the best albums that came out last year, at least according to my retarded brain.
I tried to provide multiple sources to stream/download all the albums (the 'Download' links will take you to a.rar file on my own Mediafire account; other links should be self-explanatory). Gimme some feedback, too, even if you think these albums are all shit. Dean Blunt The Narcissist II Abusive, disconnected electrodreampop; flat, weird, and upsetting 54. Pentimento Pentimento Stupidly emotional pop-punk; tear out your heart and slap it on your sleeve 53. Mutilation Rites Empyrean Violently shifting atmospheric black metal; like being repeatedly followed and then mugged in the same dark alley by a guy who helps you up each time 52.
DIIV Oshin Krauty space-rock; zone zone zone focus zone focus zone.zone 51. MediaFired The pathway through Whatever Echo chamber plunderphonics; seriously, there's a song in there (sometimes even a Backstreet Boys song) 50.
Swearin' Swearin' Low-fi popindiepunk; re-embrace your youth no matter how young you are 49. Pig Destroyer Book Burner Visceral deathgrind; pure sonic and lyrical aggression 48. White Suns Sinews NOISEpunk/NOISErock; confrontational structured chaos 47. Buildings Melt.
Angular noisepunk; look, if the cover and album title don't make you want to download it, I don't know what else will (no mp3s at the moment - lemme know if you want some and I'll hook it up) 46. Royal Headache Royal Headache Motown punk; low-fi, soulful, and catchy 45. Scott Walker Bish Bosch Experimental term-paper rock; whether you 'get it' or don't (I'm somewhere in between), definitely worth a listen 44.
Flavor Crystals Three Drony American krautrock; slip into a waking lucid dream (also no mp3s at the moment - lemme know if you want some and I'll hook it up) 43. Daughn Gibson All Hell Spaced-out electro-country; outlaws, drugs, and samplers 42. Frank Ocean channel ORANGE R&B for the hipster set (and everyone else, apparently); I don't like R&B and I like this 41. Panopticon Kentucky Bluegrass-black metal (blue metal? Blackgrass?); not really a cohesive amalgamation, still well-played 40. M Distant alt-country; really, don't know what the fuck they talk about 39.
Bear in Heaven It's Cool, I Love You Electronic stonerrockpop; dose dance cry repeat 38. JJ DOOM Key to the Kuffs Amorphous hip-hop; I don't know which is looser - DOOM's flow or Jarel's beats 37.
School of Seven Bells Ghostory Heartbroken electro-shoegaze; upbeat melodies and distorted guitars to make you sad 36. Motion Sickness of Time Travel Motion Sickness of Time Travel Interactive ambient drone; drift into the cosmos 35. The Chariot One Wing Spazzy experimental metalcore; more accessible than you think 34. Waxahatchee American Weekend Low-fi simplistic depressive singer-songwriter; a great album in spite of all those things 33.
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Divine Fits A Thing Called Divine Fits FUCK YES POWER POP; a supergroup that actually pays off 32. Allo Darlin' Europe Twee as fuck; still have a crush on their vocalist 31. The Mountain Goats Transcendental Youth Desperately stripped-down indie rock; smile and cry and love those horns 30. Kathleen Edwards Voyageur Breakup-hookup indie rockpop; applicable no matter your relationship (or lack thereof) 29. Tennis Young & Old Semiprecious 60s girl-group indie pop; fuck you, this makes me happy 28. Baroness Yellow & Green Anthemic stoner rock; smoke up and sing along 27. Wildernessking The Writing of Gods in the Sand Psychedelic uplifting South African black metal; zone out and smile while you rage 26.
Reubens Accomplice Sons of Men Indie emo rock; hard to pin down, easy to feel 25. Dawnbringer Into the Lair of the Sun God Upbeat, melodic heavy metal; punch everything with a smile on your face 24. Some Nights Bombastic pop; ignore the autotune and enjoy the flawless songwriting and self-deprecating lyrics 23. Mixtape Seany Richfield Next wave of Twin Cities hip-hop; get into this before everyone else catches on 22. Guided by Voices The Bears for Lunch Seminal indie rock; 'Was that a song?'
Turns into, 'That's my jam!' The Casket Girls Sleepwalking Faded goth-pop; better and more serious than you think it is 20. Godspeed You!
Pig Destroyer Discography Rar Download
Black Emperor 'Allelujah! Post-rock revivalism; why you loved this genre in the first place 19.
Gaza No Absolutes in Human Suffering Post-grindsludgecore; misanthropy as a means of connection 18. The Men Open Your Heart GARAGE MUSIC; diverse enough to challenge you - pop enough to get stuck in your head 17. Japandroids Celebration Rock Uplifting noise-pop; scream the 'na-na-na's with every ounce of your being 16.
Death Grips The Money Store Misanthropic avant-industrial punk-hop; go burn everything you love 15. I Bet On Sky Motherfucking indie ROCK; let the music blow you away while you listen to the lyrics 14. Is/Is III Self-proclaimed 'witchgaze'; crank it and let the distortion overtake you 13. Aesop Rock Skelethon Lyrically-dense transmorphic hip-hop; focus and let it twist your mind 12. MewithoutYou Ten Stories Emotive indieposthardcore with a slight Jesus bent; simultaneously soothes and mangles your soul 11.
Swans The Seer Dark minimal-maximal avant-rock; let the depressive psychosis enter your brain 10. Tame Impala Lonerism Beatlesy psych poprock; escape into your selfish weed coma 9. Spiritualized Sweet Heart Sweet Light Psychedelic pop gospel; fade away into lovelessness 8.
Black Moth Super Rainbow Cobra Juicy Fuzzy, blissed-out synthesized poprock; melt into your sunchair 7. Kendrick Lamar good kid, m.A.A.d city Conceptual progressive west coast hip-hop; listen and tell Rush to go fuck themselves 6.
Converge All We Love We Leave Behind Pummeling mathcore/hardcore punk; breathe deep and destroy your walls 5.And You Will Know Us By the Trail of Dead Lost Songs Arty, obscure, socially-conscious punk/indie/alt-rock; punch your steering wheel 'til you feel something 4. Fiona Apple The Idler Wheel is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do Experimental bummer piano/alt-rock; exorcise your demons 3. Cloud Nothings Attack On Memory Self-pitying hardcore/pop-punk; scream it in your car and watch the stares 2. Crywank Narcissist On the Verge of a Nervous Breakdown Megadepressed folk-punk/anti-folk; will save your life if you need it 1. Titus Andronicus Local Business Nihilistic, self-pitying punk/indie rock; gofuckmyselfandyoutoo.
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